Interview and Modern World

You Will Be Hearing From Us Shortly notes by E S Bhavani Following is the presentation notes on Perspective IV Semester lesson You will be Hearing from us Shortly a poem by U A Fanthrope. The presentation was made for II yr JPEng class by E S Bhavani on 24 Nov. Institutionalising the Individual An analysis of You Will Be Hearing From Us Shortly U. A. Fanthorpe (Click here for the textbook of the poem) A little bit about the authorUrsula Aksham Fanthorpe was born in Kent. Having studied at Oxford she went on to train as a teacher befitting the Head of the Department at Cheltenham Ladies College (1962-1970) who dropped out after training as a councillor to become a clerk in a infirmary for neuropsychia resolve disorders. Her poems since then started reflecting experiences of the patients. Her first collection of poems were published when she was 49. Her poems expect to question authority and show compassion to people at the same time.Her intimately victorious poems view as bee n in monologue while others rent a groovy deal of humour and dialogue in them unlike the usual structure of poetry we be used to. Most of her poems ar of two voices. Other dominant themes in her writings argon war and its effects on children, the nature of Englishness and the British character and history. It was in 1989 that she became a full-time writer who gives readings of her work mostly in the UK and at times abroad.She became the first woman to be nominated for the can of Oxford Professor of Poetry and has been awarded many fellowships. In 2003 she was awarded the 2003 Queens Gold Medal for Poetry. An Overview The underlying theme used to analyse the text is the concept of neo or preferably the factors that complete or contribute to a new-fangled lifestyle. This particular theme has especially been elect because personally I have been truly fascinated with the word upstart as it has been something that quite frankly has not found an universally appeal.Ask a layman w hat it means to be modern the answer can vary enough to drive a human organism mad (unless that is what modernity intends to do), in a general sense maybe star can classify be modern in terms of a time-span or choose to take another harder stance and explore. And it is in this mark that I hope to explore the text. Keeping that in mind, we will first look at the poem and try to summarize in relation to the cosmos today with the underlying presumption that we are all evolved human beings living in a modern world.The summary will also lay the origin to attend bump discover the different concepts and theories to be discussed. Having once given a common understanding of the text, it becomes necessary to demote different means of being able to assimilate with the text and this is precisely what we shall be doing in different modes of reading. Of course, the different means provided here are not given as ultimatums rather hope to reveal scope for further models of interpreting t he piece.With three different modes of reading established, our focus moves onto the dominant themes that revolve around the poem which will help appreciate the text in various forms. One of the major revelations of poetry-reading can be achieved by evaluating the title given to it from a generic sense, therefore we shall try and decipher what You Will Be Hearing From Us Shortly refers to with emphasis on the word shortly as it seems to stick to the original codes of understanding concepts of being modern in terms of time-relevance.It becomes inevitable but to look at the structuring of the text to find hidden meanings (atleast conceivable hidden meanings) once analysed focussing on the word shortly. Our concluding part of the analysis throws light on the different layers that exist within the piece aiming to break the traditional moulds of analysing a text. It seeks to dig up that a particular writing can be highlighted in more ways than just one especially given the freedom in th e ripe World. A Summarised PerspectiveThe poem showcases the concept of an interview, giving prominence to perhaps the negative aspects. The poet challenges fundamental concepts of interviewing and reveals it in a dialogic form. An interesting theory would be to understand that though it is presented in a dialogue form nowhere in the entire poem do we hear the interviewees voice although both their mind-sets and personalities are revealed to some extent. The interviewer focuses on several aspects of the interviewee that makes one wonder if this is the standard norms for how an interview is held.The interviewer somehow seems distracted as he goes about the interview in a manner that can be debated. Once we hear all the questions the interviewer asks we are left with a question ourselves what is really important? And what does it take for a successful interview? Where is the emphasis given upon in this competitive world? When analysing these factors we come across the basis that eac h one of them are very vulnerable to time. each aspect that the interviewer focuses on the candidate could differ greatly at different time periods.Someone who graduated first in his class in 1996 could comparatively prove unintelligent when compared to someone who graduated in 2006. When dealing with much(prenominal) a volatile situation it makes you wonder if Fanthorpe is really hard to project that these fashion the essence that makes what the modern world is and this very necessity to erase the lines drawn between ones personal and professional life exposes domination of the modern world. We find this domination becoming crystal clear as the interviewer is able to convince the interviewee that his existence is a pity by the end of the poem.We shall understand this position-play better when we deal with the different themes within the poem but underlying modern concepts of functioning can be seen by psychological manipulation of many sorts. Modes of indicant It often occurs to me that any text is usually dealt in one particular fashion ignoring all the other possibilities. So, starting with the basics Im hoping to infix ways of reading the same text in distinctive patterns. Attempting this, here are three patterns my mind was able to lay out. 1. A Monologue cultivationHaving established very confidently that this is a dialogic poem it would be rather hard to treat it as a monologue but not unimaginable. If one chooses to treat it in this manner we are again provided with two more options to understand it as a monologue of the interviewer or the interviewee himself. If we are considering it as a monologue of the interviewer one can assume that social restrictions do not give him the liberty of saying the things out loud and thus it can be concluded as manifestations of his own mind. What we can focus around here are the social implications that could provoke an interviewer to wonder about.Another monologue perspective could be to analyse it from the point of view of an amateur and his apprehensions about the interview. This can simply be put off as nervousness or understand it by reflecting on the causes for such apprehensions. Both of these to some level show us an chimerical perspective and irrational fears one might have. What is crucial here is that what one might consider unrealistic can turn out to be not so and perhaps we are moving towards a rather unrealistic future. 2. The Silenced Interviewee This mode has been especially chosen due to the lack of representation of the interviewee.We find that there is no voice given to the interviewee, we are left to conceive the notions made by the interviewer as the ultimate truth. What does this signify? Giving absolute mogul to the interviewer who represents a major part of the organization whose words we blindly believe. This occasional scenario exposes personal invasion made by the modern world, where individuals are given fewer opportunities to showcase themselves from th eir point of view rather forced to accept it in relation to societal norms. This of course leads to what I like to call virtual representations of each of us.Projection of ourselves in a corporate world changes from what we are to what we are suppose to be and this hopeful process of changing reflects the virtual representations that we make of ourselves every single day. And during this struggle to meet the ideal virtual representation we regain a loss, loss of our personal identity that seems trivial in comparison to the large organization that exists. 3. From A Young Interviewee In a rather simplistic sense one can read it as nothing but apprehensions that a young interviewee has, a reflection of general concerns that one might have before his first interview.When analysing it from this mode we are forced to consider the social pressures that lead one to dwell under such tension. I have chosen to treat it in this specific manner mainly because the idea of the poem being apprehen sions of an amateur does not seem absurd but what contradicts this simple history is the interviewee being married, children- in the poem. This is the intriguing aspect of which I wish to explore where perhaps it is meant to show that everyone is treated as an amateur and it does not change often for an older experienced applicant or a new-comer and how both are treated in the same manner.Either that or it could simply be seen in terms of time-relevance as mentioned in the summarized perspective. Dominant Themes Three themes have been chosen keeping in mind the most irrelevant concepts or rather the most ignored aspects of this poem. Not claiming that no one has understood this piece of text in this manner but attempting to bring together seemingly irrelevant pieces of breeding to form what can be called one important perspective. 1. Power Relations Power is everywherebecomes it comes from everywhere Michele Focault The above recite shall serve as the understructure for the re st of my argument.It seems only obvious to pick power relations as one of the dominant themes in the poem after having mentioned everything above. The entire concept of power requires no historical background or knowledge to analyse as in every sphere of human act there have been power of course some more preferable than the others. And power can be understood in many ways, all of which can be applied to the text. In relation to the poem, power relations needs to be understood in terms of the corporate world where hierarchy and monitored functioning are in their zenith.It would seem rather stupid to ignore such a concept in the corporate world. Power relations become interesting especially while trying to relate to the corporate or modern world from the past, as we have evolved we have evolved within ourselves the very ideals of how we use or abuse power. One such understanding can be achieved by Alvin Tofflers theory of power in historical sense the beginning of power can be recog nise as barbaric, where man could portray his domination only in primitive expressions or in other words through craze.This of course went through many changes although even today we find this dominates our impulse and history stands as the book of truth to reveal to us how exhibition of being powerful transformed from violence to wealth. Although one can argue very confidently that for quite a long period of time they both worked closely with one another to great lengths. As time passed by, we now arrive to our present state where power is displayed through a fluid concept termed as intelligence otherwise know as knowledge or information.The transformation that has taken place over the years makes power relations especially a delicate topic to engage with as it has now moved from a plain one dimensional model to a three dimensional functioning aspect of a society. Where at times all the three previously mentioned tools of power are used but in greatly differing indirect means. Ano ther mode of looking at it comes from the Classic Study by French and Raven (1959) where they ntroduced five bases of power positional (where power is issued based on the position you hold), referent (power understood as how influential or how convincing one is able to build loyalty around him), expert (power based on the expertise one holds over a subject), coercive (in terms of primitive means, violence) and reward (if one is able to give or withheld rewards of any kind). An additional base was added a little later justly termed as the Informational base that reflects a society in the face of an aftermath of information explosion.Thus, information becomes power and power is very generously available to anyone who chooses to find it. Understanding power relations in this mode becomes increasingly difficult to define in precise terms. We can perhaps say Foucaults quote finally establishes itself in modern society. When everyone has equal opportunities to find the power that they wan t, it becomes a universal characteristic of man. Now, it becomes dangerous as trends in power change drastically leaving man completely vulnerable to the dictates of the modern world.